Adriana Vignoli (1981) is a multidisciplinary sculptor from Brasília, currently based in Chicago. Her work investigates the physical and energetic reactions that occur when sites, their materialities, and histories are combined through bodily actions. Departing from elements found in the sites, such as fire, water, earth, and specters, she visually articulates a fictional reality. Her research is dedicated especially to biology, astronomy, anthropology, and alchemy.

She is currently a sculpture researcher at the School of the Art Institute of Chicago (SAIC) in Chicago, Illinois. In 2025, she participated in the institutional exhibitions História(s) da Arte Brasileira at Caixa Cultural in Brasília and Horizonte Cerrado at Centro Cultural Justiça Federal in Rio de Janeiro. She also took part in the group exhibitions Brasília, A Arte da Democracia at FGV Arte, Rio de Janeiro, and Terra Concreto at Centro Cultural TCU in Brasília, both in 2025. In 2023, Vignoli completed an artist residency at Sertão Negro, Goiânia, and participated in a group exhibition at Decurators, Brasília. She received the Prêmio Nacional de Fotografia Marc Ferrez in 2022. In 2020, she took part in the PIVÔ Research Artistic Residency in São Paulo. She was part of international group shows at Fundación Klemm in Buenos Aires and MAC in Montevideo, both in 2019. In 2016, Adriana was nominated for the Prêmio Pipa, and in that year she received the Prêmio Funarte de Arte Contemporânea. She lived in Berlin between 2013 and 2015 and exhibited her work at Nassauischer Kunstverein Wiesbaden and Hochschule für Bildende Künste Dresden.

Sutura de concreto II (2022) is composed of a concrete cube and a glass sphere containing red soil from Brasília (DF) in suspension. These relational geometries provoke a friction between the materials, each carefully chosen by the artist, who has been researching the memory and reality of vibrant bodies. The work was part of the exhibition Cidade Identidade, held at the Museu de Arte Contemporânea de Brasília (2023).