Juno B (1982) is a transdisciplinary artist based in São Paulo. Their practice moves between transspecific fictions and mutations in dialogue with post-industrial adaptive landscapes, challenging notions of the human factor in these contexts. Through video, photography, sculptural objects, and immersive installations, their work proposes conceptual and visual syntheses rooted in gestures of fabulation and magic. Torn, layered, or twisted, the work acquires new interpretive layers, like a body that refuses to be reduced to a single function.

In 2024/2025, Juno B was one of the artists selected for the 38º Panorama da Arte Brasileira at Museu de Arte Moderna de São Paulo. They have taken part in group exhibitions at KADIST, FMAC (Collection d’art contemporain — Ville de Genève), Pinacoteca de São Paulo, and Pinacoteca do Ceará, among others. In 2023, they were selected for Contra flecha arqueia mas não quebra at Almeida & Dale. They participated in the 2021 Pivô Pesquisa program, were nominated for the Prêmio PIPA (2022), and were one of the winners of 100 Artists, organized by Artlink and SüdKulturFonds (2022). They have attended artist residencies in Brazil, Bolivia, and Switzerland.

Feral Suite is an ongoing research project that evokes a speculative fictional universe, naming untamed lives and forces emerging from the ruins of modernity, through the connections, breakdowns, and excesses of global capitalism.

The work Feral (2023) points toward a non-linear, undisciplined ecology, entangled in encounters between humans, non-humans, machines, and artifacts. The figure of a stray dog’s jawbone cast in stainless steel appears as a guiding metaphor for errant processes of re-signification and refusal of categorization.