Maíra Dietrich (1988) holds a bachelor’s degree in visual arts from CEART-UDESC and a master’s degree in fine arts from KASK School of Arts. She works with language as a bodily phenomenon through collage, installation, and performance.

Her solo exhibitions include CENA-SINTAXE, GDA; Escrever sobre Ler, Auroras; Visão Periférica, Paço das Artes; and Spelling P on 019, Ghent. Among her group exhibitions are 2045, Palais de Beaux Arts, Paris; Cultivo, Galeria Marli Matsumoto; Rosa Rosa Rosae Rosae, Maison Pilgrims, Brussels; Biblioteca Floresta, SESC Belenzinho; and L’intolérable ligne droite, Galerie Art & Essai, Rennes.

Rhythm – Metronome VI (2025) is a drawing created from the beat of a metronome. To produce the works in this series, the artist places cutouts of red carbon paper on a blank sheet and strikes them in time with the rhythm—writing sound markings, using different objects, and varying tempo, meter, accents, intervals, and intensities.