Lidia Lisbôa (1970) lives and works in São Paulo. Her practice unfolds across distinct media, particularly sculpture, crochet, performance, and drawing. Her research takes the weaving of biographies as a fundamental axis, traversing the poles of landscape, body, and memory through materials that bear the imprint of her gesture and hand. The result of a constant artistic practice intertwined with life itself, Lisbôa’s work treats sewing and the creation of narratives as exercises in subjective construction and, therefore, as processes of healing and re-signification.

Lisboa is part of the 36th São Paulo Biennial and has held solo exhibitions at Millan, São Paulo (2024; 2022); MAR, Rio de Janeiro (2024); and Sesc Pompéia, São Paulo (2023). She has also participated in the 37º Panorama da Arte Brasileira, São Paulo (2022), and the 13th Mercosur Biennial, Porto Alegre (2022). Her work is included in the collections of institutions such as ISLAA, New York; El Museo del Barrio, New York; MARGS, Porto Alegre; Sesc São Paulo; Princeton University Art Museum; and Pinacoteca de São Paulo.

Chains of good, evil, water, joy and sadness. Untitled (2025) is part of the Correntes series, which speaks of the forces that move through and connect us, in movements that sometimes bind and sometimes release us, yet always remind us that we are part of the same flow.