Marina Woisky (1996) uses images of decorative objects and ornaments with organic representations as the substrate for her production. Distorted, displaced, and compressed through successive material transpositions and the passage of time, these images are transformed by the artist into extraordinary, chimerical animals and landscapes, presented in works that stand at the threshold between two- and three-dimensionality. Through this, the artist addresses representation—a fundamental problem in art and notions of taste—as well as the very status of the image in contemporary society.

Woisky holds a degree in visual arts from UNESP, São Paulo (2016–2021), and is currently pursuing a master’s degree in arts. In 2023, she presented the solo exhibition Pedras e bichos d’água at Millan, São Paulo, and participated in the group show Contra-Flecha: Arqueia mas não quebra at Almeida & Dale, also in São Paulo. In 2024, she presented the solo show Through The Garden Bars at L.U.P.O, Milan, and took part in the 38º Panorama da Arte Brasileira. In 2025, she was named one of ArtReview Future Greats and participated in the group exhibition Till the cows come home at Banquet Gallery, Milan.

Cabeça de cachorro (2024) is part of a recent body of research in which the artist investigates the image in contemporary times through its reproduction and transformation into volumes that exist at the threshold between two- and three-dimensionality.