Juliana Frontin (1990) lives and works in São Paulo, she is an artist and holds a master’s degree in visual poetics from the Escola de Comunicações e Artes da USP. Frontin explores sound in its various dimensions and temporal/spatial extensions. Her works investigate both the containment of sound and its overflow, the volume in space, and its sculptural and visual materiality. Her explorations of repetition, negative space, and sonic form unfold in sculptures, installations, and sound performances.

The artist’s practice investigates how sound not only occupies space but defines and transforms it. The relationship between painting and object is central, with sound being treated as something physical, subject to containment and expansion. Concepts of partial space and the tension between presence and absence recur throughout her work, as do the balances between visible and invisible, audible and inaudible. By considering sound as something that can be “trapped” in time-space, Frontin challenges the notion of sonic ephemerality, creating experiences that engage body, architecture, and silence.

Untitled (2025) consists of layers of resin applied directly onto fabric. The surface reflects light in different ways, highlighting negative volume, and over time the material may develop a yellowed tone.