Andrés Pereira Paz (1986) lives and works in Mexico City. He studied at the Academia Nacional de Bellas Artes Hernando Siles in La Paz, Bolivia, and attended the studios of Diana Aisenberg and Roberto Valcárcel.

Recent exhibitions include Verde-Distância, 2ª Bienal das Amazônias, Belém (2025); I must still grow in the dark, Buro Stedelijk, Stedelijk Museum, Amsterdam (2025); Mecánica Vegetal, Galería Guadalajara 90210, Mexico City (2025); A 18 minutos del Sol, Museo de Arte Moderno de Buenos Aires (2023); Paisajes Espectrales, MAAT Gallery, Paris; Art Basel Statements, Basel (2021); 11th Berlin Biennale, Martin Gropius Museum, Berlin (2020); and The Ryder Projects, London (2018).

He has completed residencies at Gasworks, London, England (2017); Hawapi, Tacna, Peru (2017); Kiosko, Santa Cruz de la Sierra (2018); Künstlerhaus Bethanien, Berlin (2019–2020); and Fundación Amalia Amoedo, José Ignacio, Uruguay (2024), among others.

Recent publications include Sonhos ao sol: Miragens da arte na América Latina (Act Arte, 2024); Prime: Arts Next Generation (Phaidon Press, 2022); and 300 Latin American Artists from 1785 to Now (Phaidon Press, 2023), among others.

His work is part of public collections such as Perez Art Museum, Miami; Museo de Arte de Denver; MCA – Museum of Contemporary Art of Chicago; KADIST, San Francisco; Instituto Alumnos, Mexico; and KFW Stiftung, among others.

Sin título (El laberinto de la ansiedad) (2023) functions almost as a self-portrait, being created during a period in which the artist attempts—unsuccessfully—to escape the labyrinths constructed by anxiety. Hence, he sews by hand. The work was exhibited in La siesta de los grandes temas, Galería Guadalajara 90210, Mexico City.