PT
PONTO (2025) is part of an ongoing investigation into topographical and geographical intermittencies, in which the artist draws on the right to movement, abstraction, and the reliefs between concavity and convexity, using graphic residues, stones, and slopes. The work was presented in the exhibitions Tempo Composto, Galeria Athena, Rio de Janeiro (2025); Era do Escambo, Paulo Darzé Galeria, Salvador (2025); and Geografia de Um Corpo Bússola, Caixa Cultural, Rio de Janeiro (2026).
Daniel Jorge (1991) is a visual artist whose practice is built upon the interweaving of body, territory, and reminiscence. Raised in the alleys of Rio de Janeiro and currently living in Salvador, he understands his geographic trajectory not only as biography but as a creative method.
He works with sculpture, installation, performance, and drawing, taking barter as a central gesture — a relational technology that operates between memory and history. His works incorporate negotiations among materials such as soapstone, oxidized iron, tanned leather, and charred wood, evoking popular crafts and bodies made invisible by official discourse.
Jorge creates sculptures that invite the exercise of subjectivity through the tension between time and space, weight and movement, matter and relation — operating as flags or symbolic landmarks of new peripheral and rural imaginaries.