Carolina Cordeiro (1983) lives and works in São Paulo. She is a founding partner of GDA – Galeria de Artistas and is represented by Galatea. She holds a PhD from the Department of Arts at ECA-USP in theory, teaching, and learning (2021), and a BA in drawing from EBA-UFMG (2008).

Her recent shows include: AMASSO, Bruno Baptistelli and Carolina Cordeiro, GDA (Galeria de Artistas), São Paulo (2025); O tempo é, Galatea, São Paulo (2023); América do sal, GDA, São Paulo (2021); Dizem que há um silêncio todo negro, Auroras, São Paulo (2019). Group exhibitions include: Aberto 3, curated by Kiki Mazzucchelli, São Paulo (2024); Eterno Egito, curated by Lucas Albuquerque, Casa Museu Eva Klabin, Rio de Janeiro (2024); Pessoas Negras São O Silêncio Eles Não Podem Entender, GDA, São Paulo (2024); Galerie d’Artistes, GDA, Brussels, Belgium (2024); Warm sun cold rain, Galpão Cru, curated by Julie Dumont/The Bridge Project, São Paulo (2023); and Andar pelas bordas: bordado e gênero como prática de cuidado, Arte 132, curated by Lilia Schwarcz, São Paulo (2023). She also presented a solo project at Artissima Fair, Turin (2025), with Galatea.

She has participated in artist residencies such as Casco – Programa de integração arte e comunidade, Rio Grande do Sul (2021); Pivô, São Paulo (2019); Red Bull Station, São Paulo (2016); Homesession, Barcelona (2011); and Glogauer, Berlin (2009).

Untitled (2025) is a drawing made with zinc, a material the artist has been researching since 2019. Cordeiro is interested in the lyrics of Brazilian songs, especially sambas, which throughout the twentieth century have often mentioned zinc as a construction element. Thus, she incorporates the material into various drawings and installations.

The drawing was included in the exhibition Adiar a Ordem, curated by Fernanda Morse, at Galatea, São Paulo, 2025.